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KOL (Homo Sapiens)





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KOL (Homo Sapiens) 2009-2010
Grey granite: 3 cubes measuring: 50 x 50 x 50 cm. each bares an inscription on the lateral facets : Homo Sapiens, Soul and Spirit. 2 head like 47 cm. diameter semi spheres with hard stones eyes built.
Sitting in the Paseo de las Colectividades,(the community walk) in the city of San Carlos de Bariloche as from January 6th. 2010. The piece now belongs to the City Town hall cultural Estate.
Context : The artist was invited as a special guest out of contest in order to create a piece for the site by the non profit, artists Project, with funding by the Argentinean National Endowment for the Arts. See: Austrocedrus Arte contemporáneo a Cielo Abierto; 2009-2010 www.austrocedrusartebariloche.blogspot.com
The piece intents to be a democratic commentary related to the conflict resulting of the diversity of cultures installed in the region: as much for aboriginal cultures of all times, and all immigrant people’s who have arrived and settled in since the end of 19th century and colonised the area. |
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KOL



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KOL
2008-2009
Small tribune for view and resting by a private football field.
Red coloured Mahogany, nine heads of 27 y 24 cm. diameter with Murano crystal eyes built in on a White marble chips bed. Total measures: h. 193 x 574 x 327 cm.
The piece is sitting in a private estate dedicated to organically cultivated products, in the country side in Buenos Aires province, Argentina.
A sculpture park Project, with curatorial work by Gabriela Van Riel, from Galería Van Riel, Buenos Aires. www.vanriel.com.ar |
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HAMBRE GLOBAL. 3 MOLDEADOS LEGAL - GLOBAL HUNGER-3 LEGAL MOLDS 

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HAMBRE GLOBAL. 3 MOLDEADOS LEGAL - GLOBAL HUNGER-3 LEGAL MOLDS, 2009
A 3 minutes conversation/video about "3 stopagges étalon" by Marcel Duchamp, created for Fundación Proa and their Podcast sections for on-going exhibitions.
Invited by Fundación Proa, during the Duchamp exhibition 2009 in Buenos Aires, Argentina.
http://proa.org/esp/news/category/podcasts/ |
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EL CENTRO DEL JARDÍN - THE GARDEN’S CENTRE 


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EL CENTRO DEL JARDÍN - THE GARDEN’S CENTRE, 2003-2009
Interpretation of the architectural shape of the garden belonging to the building holding the National Decorative Arts Museum, National Museum for Ancient Oriental Arts, the National Academy of Fine Arts, and the Argentinian Academy of writing.
Two digital prints on paper. Texts, Carton, level, base. Measures h. 75 x 75 x 50 cm. Table and two stools. |
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CAIRO 90º BIARRITZ 



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CAIRO 90º BIARRITZ, 2008
An interpretation of the architectural shape of the (Old) Ostende Hotel, in Ostende, Buenos Aires province, Argentina.
Books, table, two chairs, graphite on paper, ink jet printed text on A4 paper. Clips.
Measures aprox. h. 50 x 104 x 40 cm.
Project created in the frame of the International Residence for Artist in Argentina. (RIIA). |
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LECCIÓN DE ANATOMÍA - ANATOMY LESSONS  |
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LECCIÓN DE ANATOMÍA - ANATOMY LESSONS, 2008
Stills documentation of flash built piece
Mesures: 227 kb. 400 x 550 pixels. 83,9 S
Adobe flash C53
Animation: Antonio Panno
Installed in www.redgaleria.com by Ivan Kandel . Project created to open Experimental - Hall 5 at redgaleria.com Openend at Arteba 2008 and stayed on line from May to December 2008. |
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PROCEDIMIENTOS - PROCEDURES  |
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PROCEDIMIENTOS - PROCEDURES, 2000
Artificial worker, photo álbum, with Barbara Belloc.
Three minutes of space, with Omar Cyrulnik & Julio Panno.
Portraits Elisa, Maia, Emma, with Isabel Hardoy..
Blossoming in the cementery, with Marcela Rodas, Myriam Cohen & Celeste Giles.
Bone-sponge, with Ruth Viegener.
I was invited to present interdisciplinary created works and participate in a Contemporary Aesthetics’ debate by Santiago García Navarro and Valeria Gonzáles at Fundación Proa for an over a week end experience. I proposed 5 works to be created with 5 persons whose activities and creative practices differed from mine. I worked with a writer, a Taichi trainer and some of her friends, a musician, a photographer and an artist specialised in video production.
Una escritora, un músico, una fotógrafa, un grupo de mujeres que entrenaban Taichi, y una artista especializada en videos.
I let each work acquire it’s own conceptual and physical shape, as a result of the negotiation of wills and wishes of the constituent parts. I let the pieces loose relation in a very complete way to anything that could relate them to my own legitimated or recognizable artistic work.
Subjectivity in the work was thus a result of negotiation. The five proposals or proceedings, resulted in a varied and complex group of creative works; difficult to classify and to comment at first approach. An astrologer, Jorge Bosia, invited to participate for the debate, read a nonstop list of innumerable existential questions; and created a momentum of unbreakable silence. The resulting loss of a recognizable artists signature and thus the references –art history and historical legitimation- was also very clear at the debate table by the time the public conversation took place. |
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AVANZAR-RESISTIR - ADVANCE–RESIST 

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AVANZAR-RESISTIR - ADVANCE–RESIST, 1997
Two pre-existing fuel tanks in use, where camouflaged and a wheel like drawing was re-organising the symbolical approach to the objects. And a camouflaged found object, a watch men’s hut, was painted strong mid tone blue, locked and the windows where blinded with white painted crosses.
Work created for the first Porto Alegre Biennial year 1997.
The work comments the Farropilhas times (Garibaldi arrives and is triumphant, to the battle field carrying two ships (Farropilhas and Seival); on wheels by land and then launching them further up in a river. The watch men’s hut is coloured blue like the old bourgeois houses of the early 19th century in the estuary front, used to be. The city is now completely cut off from the water front by a large wall.
The old port facilities and ware houses have since 1997, been refurbished and the area has been urbanised and a beautiful park unites the different buildings that hold the Porto Alegre Biennale.
The context: invited to participate in “Imaginario objetual”, by Irma Arestizábal for the Biennale site specific curatorial project. For which 10 artist where invited 10 days previous to the opening of the Biennale to create works related to Porto Alegre, the proposed site was an old dilapidated ware house by the river, in the old city port. The place was cleaned up and disinfected while the artist research was going on, and subsequently used as show room. |
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5.12.95  |
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5.12.95, 1995.
Paint, watercolour on paper, windows, plasticine and light.
Three-room floor and wall installation for Carrillo Gil Art Museum, México, DF.
Invited by curator Conrado Tostado for Carrillo Gil Museum, to participate in a 20 day trip through Mexico. A piece could be created a week after the trip, for the show titled Southern travellers, one view over Mexico. |
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